At the beginning of the nineteenth century,
the guiding principle of English style in tailoring became focused on the cut
and fit. The general practice of cutting by patterns was realized to be
inadequate and tailors searched for a system in which they could draft out
garments which would fit well and still retain their style and elegance. This
search lead to a revolution on the art of cutting, and was probably sparked by
the invention of the tape measure early in this century.
Where exactly the tape measure came from is
unknown, although there were several tailors who claimed to be its inventor. It
was probably not until the second quarter of the century that the tape measure
was generally accepted. The tape measure, a yard long and marked in inches,
drew attention to the comparative relations that exist between the various
parts of the body. It was found that the length to the waist was half, the
chest width one third, the back one third, the scye one third, and the side length
of the body one fourth of the breast measurement taken under the arms round the
body. From these observations the tailor worked out the first simple drafting
system and so began an entirely new approach to cutting based on the
application of geometric rules and principles to the anatomical proportions of
the human figure.
It is most interesting to find that early
literature on tailoring is extremely rare which is what I had gathered, however
this new approach brought tailors to print and create their own particular
system. The earlier the patterns, the simpler they were as well as being so
brief that is it almost impossible for anyone to gain if any information from
them. Individual tailors would use their own methods that may have been
personal to their own understanding, this would explain some of the period
patterns which I have examined in the past as I have found them to be very
difficult to interpret. However, tailors were slowly progressing and
intelligent ones soon realized that the simple breast measure system was only
suitable to well-proportioned figures, and that most cases additional
measurements were necessary.
In the middle of the century, a much more
serious study of the problem was undertaken by a German Mathematician, Dr.
Henry Wampen who published The
Mathematical Art of Cutting Garments According to the Different Formation of
Men’s Bodies in 1834, as well as Mathematical
Instructions in Constructing Models for Draping the Human Figure in 1863. These
are rather like scientific textbooks than a suitable guide for tailors,
however, a great part of the information it contained was of great value and
could be applied to various systems. He also introduced the principle known as
gradation.
The old system of cutting from patterns
continued but the pattern blocks were now drafted from some basic system and
adapted to the measurement and anatomy of the individual customer. For
wholesale mass production these patterns were scaled to suit the main figure
types. This method is also suitable for historical costume cutting for theatre.
Even though much progress has been made, no system in unfaultable as the human
body varies infinitely structurally and mathematically which is still a
challenge to the tailors skill.
“Observe
a man well before measuring him.”
-
M. Boullay
Cutting out a garment may be the most
important part, but it is not the whole art of tailoring. The putting together
of a garment - the layers of
interlinings, padding, pressing, sewing is sometimes not fully appreciated by
the client, whose incredible structure and posture are often provided by the
tailor’s canvas and wadding.
The scientific approach has made tailoring
a highly skilled profession, and the various systems, which have been published
from the early nineteenth century down to the present day made such a technical
reading that they can only be appreciated by the trained specialist.
The
History of the Art of Cutting in England by Edward
B. Giles is a book that I will have to research in to in future as it focuses
on early drafting methods, and the development and evolution of various systems
from early literature on tailoring. It is apparent to me that since the second
half of the nineteenth century there has been a continuous stream of trade
journals and books on tailoring, and is more easily accessible than before the
period in time.
This development of the ancient craft of
tailoring has nowadays lead to the mass production of well-cut, well-fitted and
well-made clothes making them available to a vast public. The skills of the
tailor has now reached such an extremely high technical level that is more
along the lines of mathematics than inventive artistry.
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