This was also another very interesting tunic to examine.
This was because it’s the only one that I had found to far that didn’t have any
canvas around the chest. This tunic only had wadding, and a substantial amount
of it. Rather than padding just around the lower back it was the full length
and all over. The wadding used was polyester rather than cotton, which I would
consider to be a more modern type of material used for padding and quilting.
The wadding itself was very thick and layered especially at
the jacket front; it almost seemed like a ridiculous amount of padding. I don’t
think this method would be something that I would personally do as I don’t feel
that the wadding holds a good enough structure on its own – canvas should
definitely be an essential element to a tailored military jacket.
Another interesting point for me to consider is that when
getting a closer look under the sleeve lining. I noticed that there is canvas
attached to the sleeve behind where the decorative braid is positioned. This
must be because of the heavy nature of the braid; it needs a bit of support and
structure in order for it to not misshape the sleeve. This is a very piece of
knowledge to have come across as I wouldn’t have thought of this before.
There are obviously different ways that you can construct
the foundation materials, there is no right and wrong way of doing it as long
as the right affect is achieved. Tailors and costume makers all must have their
own way of putting together these foundation materials, or possibly there is a
reason that not one of them was completely the same. Maybe it is due to the
style of the jacket that has its own individual shape and structure that needs
to be achieved. It is a difficult point to consider as I do not yet have access
to this specific knowledge, as I have found out that military tailoring is a
bit of a hidden/secret trade, and I
think that these tailoring skills techniques get passed down to his apprentice.
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