The lining had worn
away quite substantially and I could see the wadding and the quilting technique
that’s been a consistent theme in each of the tunics. This looks to me like a type of silk lining, which would have been used in officers coats as they are of a higher rank and standard. Their uniforms would be of better quality and much more expensive than regular soliders.
which I have closely examined. I think that this is a
good example of why lining should probably be made out of durable fabric like
the others. I would believe that military wear should be tough and able to
withstand a lot. So this would be a good point to keep in mind.
Again you can see the extra thick wadding that is essential for bulking out and shaping around the shoulder.
This particular coat has a layer of canvas that was the full
size of the jacket front. It then had another layer of even thicker canvas
which was positioned over the chest and didn’t go as far down as the thinner
layer. These two layers were pad stitched together. Both canvases also went in
to the button facings. The shorter/thicker canvas had stay tape stitched to the
raw edge and on to the longer/thinner canvas on top; this is a reoccurring
element that could be to protect the other foundation materials such as the
wadding from the rough raw edges of the thick canvas. What I also found
interesting was something that I hadn’t found in the other tunics – a layer of
wool positioned over the shoulder and half way down the chest and stitched to
the canvas. At first I thought it was another method of protection; however
when discussing this with Graeme we came to the conclusion that it could also
be for extra padding and bulk.
Canvas in the cuff
No comments:
Post a Comment